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5 days ago

Everything is possible. The Reveal📸 audio on - powered by AI.

This is a showcase of AI-driven works by A.I. W4rh0l that felt as disruptive as they were nostalgic - as if the future of creativity had just stepped out of a time machine.

📸 "In a city that never sleeps, the future of art is about to wake up."
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1 month ago

🚨🧘‍♂️ - @wired OpenAI will soon let adults create erotic content in ChatGPT. Experts say that could lead to "emotional commodification," or horniness as a revenue stream.

OpenAI CEO Sam Altman recently posted on social media that an update coming to ChatGPT this December will allow the chatbot to engage in "even more" types of content like "erotica for verified adults." In a follow-up post, Altman said erotica was just one aspect of OpenAI's larger "freedom for adults" stance and that his startup was "not the elected moral police of the world."

OpenAI lifting these restrictions on mature content will not only change what the bot is allowed to generate for its millions of adult users. ChatGPT's horny era will be a major realignment in how people form connections with the AI tool, adding another enticing layer of interaction that could keep users on the platform.

"It's normalizing people sharing very intimate information with chatbots," says Julie Carpenter, a research fellow at Cal Poly who focuses on AI and attachment. "Sharing your innermost thoughts, desires, sexual proclivities, fetishes, adventures."

This decision is a major shift for the startup, which previously attempted to block its AI tool from generating smutty outputs. In the past, at least one developer who built X-rated companions using OpenAI's models was struck with a cease-and-desist letter from the company.

OpenAI acknowledged its receipt of a list of questions from WIRED asking for more details about this planned change to ChatGPT, but did not comment or answer our questions.

Tap the 🔗 in bio to read more.
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1 month ago

The Metaverse - @opera_roma This is the make-up - the model - for one of the scenes in "Marco Spada", the ballet on stage from 24th October: isn't it amazing? Think about what the actual costume will be. Come and see it at the Teatro Costanzi!

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AUBER: "MARCO SPADA"
24-29 ottobre 2025, Teatro Costanzi

DIRECTOR: David Garforth
CHOREOGRAPHY: Pierre Lacotte RIPRESA DA: Anne Salmon and Gil Isoart SCENE AND COSTUME: Pierre Lacotte LUCI: Jean-Michel Désiré
 
CHARACTERS AND INTERPRETATIONS
MARCO SPADA: Igor' Cvirko (24, 25 h.20, 28, 29), Alessio Rezza (25 h.15, 26)
 
ANGELA: Iana Salenko (24, 25 h.20, 28), Marta Marigliani (25 h.15, 26, 29)
 
FEDERICI: Simone Agrò (24, 25 h.20), Mattia Tortora (25 h.15, 29), Dmitrij Vyskubenko (26, 28)
 
LA MARCHESA: Marianna Suriano (24, 25 h.20), Federica Maine (25 h.15, 29), Alessandra Amato (26, 28)
 
PEPINELLI: Claudio Cocino (24, 25 h.20), Giacomo Castellana (25 h.15, 29), Michele Satriano (26, 28)
 
Orchestra, Étoiles, Primi Ballerini, Solisti e Corpo di Ballo del Teatro dell'Opera di Roma
with the participation of the Allievi of the Dance School of the Opera Theater of Rome
 
Allestimento Teatro dell'Opera di Roma
Renovation of the historic building of 1981

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🎥 video by Giuliano Danieli
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2 months ago
In 1985, "Take On Me" by A-ha turned that fantasy into cinematic history - merging live action and hand-drawn animation through more than 3,000 rotoscoped frames. The result was a love story that crossed dimensions, blurring the line between imagination and reality.💡 Directed by Steve Barron and animated by Michael Patterson and Candace Reckinger, it wasn't just a music video - it was an emotional portal. A place where pixels, paper, and human feeling met for the first time.🌐 Today, the metaverse carries that same promise.Beyond avatars and virtual spaces, it invites us to reimagine what it means to feel inside a story - to step through the screen, just like in that unforgettable moment when art reached out and held a hand from another world.⚡️ The tools have changed - from graphite to GPUs - but the essence remains: to make emotion visible.VFXRio #TakeOnMe #Metaverse #DigitalEmotion #Rotoscoping #MusicVideoArt #VFXHistory #VisualStorytelling #ImmersiveMedia #InnovationInArt #FromSketchToScreen #VisualAlchemy

Who doesn't dream of immersing themselves in a comic book?
In 1985, "Take On Me" by A-ha turned that fantasy into cinematic history - merging live action and hand-drawn animation through more than 3,000 rotoscoped frames. The result was a love story that crossed dimensions, blurring the line between imagination and reality.

💡 Directed by Steve Barron and animated by Michael Patterson and Candace Reckinger, it wasn't just a music video - it was an emotional portal. A place where pixels, paper, and human feeling met for the first time.

🌐 Today, the metaverse carries that same promise.
Beyond avatars and virtual spaces, it invites us to reimagine what it means to feel inside a story - to step through the screen, just like in that unforgettable moment when art reached out and held a hand from another world.

⚡️ The tools have changed - from graphite to GPUs - but the essence remains: to make emotion visible.

#VFXRIO #TakeOnMe #Metaverse #DigitalEmotion #Rotoscoping #MusicVideoArt #VFXHistory #VisualStorytelling #ImmersiveMedia #InnovationInArt #FromSketchToScreen #VisualAlchemy
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2 months ago

👏🏼👏🏼Originally shared via @gungurartsbarcelona - preparing my body for the Karanas exam with @vithya_arasu, and my hand and wrist to illustrate them 😌

#framebyframeillustration #movingsilhouette #danceillustration #Karanas #indianclassicaldance #motionstudy
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2 months ago
- @stanleykubrick #2001ASpaceOdyssey production designer Anthony Masters with artist Liz Moore's clay sculpture of the 'Star Child,' soon to become one of the most recognizable symbols of the movie.

- @stanleykubrick #2001ASpaceOdyssey production designer Anthony Masters with artist Liz Moore's clay sculpture of the 'Star Child,' soon to become one of the most recognizable symbols of the movie. ... See moreSee less

2 months ago

Roads? Where we're going, we don't need roads. ... See moreSee less

2 months ago

Never reveal your prompts. ... See moreSee less

2 months ago

Les Vampires (1915)🦇

#lesvampires #1915cinema #silentfilm #frenchcinema #LouisFeuillade #ClassicHorror #vampiresonscreen #silentera #vintagehorror #FilmHistory #IconicCinema #frenchsilentfilm #IrmaVep #GothicCinema #darkaesthetic #earlycinema #silentmovieera #VampireLegends #horrorhistory #cultcinema
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2 months ago

"My name is Orson Welles", l'exposition : J - 10 ! ⏲️

✒️My name is Orson Welles. I am an actor. I am a writer. I am a producer. I am a director. I am a magician. I appear on stage and on the radio. Why are there so many of me and so few of you?
Posted by @cinemathequefr
Toutes les facettes d'Orson Welles, révélées dès le 8 octobre prochain.

Tenez-vous prêts !

#ExpoWelles #orsonwelles #exposition #cinemathequefrancaise #culture #cineaste #artiste #cinema
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2 months ago

THINK! We love sharing pictures of holidays, celebrations, and private moments with each other. It's a beautiful way to connect.

But once those photos are online, they live there forever visible worldwide, often beyond our control. The story of Ella shows how this can lead to consequences we never imagined.

That's why we're all called to act. Strengthening media literacy, protecting our personal data, and being mindful about security can help us avoid harm before it happens.

When it comes to sensitive data, extra care isn't optional. It's essential.

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Media: TMobilePL
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2 months ago

The legendary Ralph McQuarrie's original concept art for the Mos Eisley cantina on Tatooine brought to life. #starwars #kennerstarwars #VintageStarWars #StarWarsRetroCollection #starwarsactionfigurephotography #ralphmcquarrie #starwarsconceptart #AI #aivideo #aivideos #KlingAI powered by AI ... See moreSee less

2 months ago

🌙 AI Chronicles - Night Show Talk
Same genotype, different phenotype - Divine Freeman & Celestia Borealis turn midnight into a glitch in reality. ⚡🖤
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3 months ago

Is AI changing the essence of photography or redefining it for a new era?
 
For over four decades, Nick Knight has been at the forefront of image-making, pushing beyond the limits of the camera and exploring new possibilities in film, AI, and virtual realities.
 
Here, Knight offers his perspective on the controversies surrounding generative AI and its use as a tool for artistic creation. He argues that those who care deeply about art, culture, and humanity should play a central role in shaping its future.

Discover thought-provoking and inspiring photography at our Photography Centre in V&A South Kensington. @vamuseum
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3 months ago

The Golden Record Cover - NASA Science
The Voyager Golden Records are 12-inch, gold-plated phonograph records attached to the Voyager 1 and 2 spacecraft, launched in 1977 to carry a "time capsule" of sounds and images from Earth into deep space for extraterrestrial civilizations to discover. Chaired by Carl Sagan, a committee selected a diverse collection of sights and sounds, including music, natural sounds, and greetings in 55 languages, to portray the diversity of life and culture on our planet. The records' covers provide instructions on how to play them and depict a map to Earth, using physical constants as a reference for extraterrestrials. #carlsagan #universe #goldenrecord #voyager #music #sounds #earth #classicalmusic credit akos papp @akospapp42
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3 months ago

Engineering can lead to art.
Buoyant Choreographies: Harmonies of Light, Sound, and Human Connection by @dennishongrobot debuts at the 2025 IEEE International Conference on Robotics & Automation in Atlanta.

This interactive installation brings buoyant bipedal robots to life-helium balloons with articulated legs that float and play in the exhibition space. Visitors are invited to guide their movements, lights, and expressions through touch, airflow, or gamepads, creating a playful and ever-changing dialogue between people and machines.

A poetic mix of robotics, creativity, and human connection.

#new_media_art #kineticart #robotics
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3 months ago

🧘‍♂️@sh4akchunna movements ... See moreSee less

3 months ago

How thick is the present?
If the past is just a platonic shadow and the future doesn't exist yet, all we have left to do is fabricate.

And that's exactly what we're going to do together at the seminar "Algorithmic Fabulations - Creative Processes, Democratization and Language in the Age of AI": think, create and talk about how artificial intelligence is transforming culture, language and the very notion of authorship.

📅 September 5, 2025, at 3:30 p.m. (Brasília time)
📺 National Library YouTube channel

With Liana Brazil (SuperUber), an international reference in creative experiences, and mediation by Matteo MoriconiVFXRio / IMPA-Visgraf).

✨ Come fabulate with us. @lianabrazil @matteo_moriconi @superuber @bibliotecanacional.br
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3 months ago
Call to action: @bibliotecanacional.br The relationship between culture and Artificial Intelligence (AI) will be the theme of the online event "Algorithmic Fabulations - Creative Processes, Democratization and Language in the Age of AI", on September 5, starting at 15:30. Promoted by the National Library Foundation (FBN) - linked to the Ministry of Culture (MinC) - the event will feature speakers such as the partner, founder and creative director of the SuperUber agency, Liana Brazil, and the technologist, director and co-founder of the VFXRio festival. The live broadcast can be accessed on the FBN's YouTube channel (@fundacaobibliotecanacional ). Liana Brazil's presentation, entitled "AI transforms authorship and artistic co-authorship", will last between 10 and 15 minutes. Matteo Moriconi's presentation will last the same amount of time and will be entitled "Philosophy, science, art, history, culture: the converging future." After the presentations, there will be a 20-minute chat with the audience. Find out more at: https://www.gov.br/bn/pt-br/central-de-conteudos/eventos/bn-convida-fabulacoes-algoritmicas-processos-criativos-democratizacao-e-linguagem-na-era-da-ia @lianabrazil @superuber @bibliotecanacional.br @matteo_moriconi

Call to action: @bibliotecanacional.br The relationship between culture and Artificial Intelligence (AI) will be the theme of the online event "Algorithmic Fabulations - Creative Processes, Democratization and Language in the Age of AI", on September 5, starting at 15:30. Promoted by the National Library Foundation (FBN) - linked to the Ministry of Culture (MinC) - the event will feature speakers such as the partner, founder and creative director of the SuperUber agency, Liana Brazil, and the technologist, director and co-founder of the VFXRio festival. The live broadcast can be accessed on the FBN's YouTube channel (@fundacaobibliotecanacional ).

Liana Brazil's presentation, entitled "AI transforms authorship and artistic co-authorship", will last between 10 and 15 minutes. Matteo Moriconi's presentation will last the same amount of time and will be entitled "Philosophy, science, art, history, culture: the converging future." After the presentations, there will be a 20-minute chat with the audience.

Find out more at the link: www.gov.br/bn/pt-br/central-de-conteudos/eventos/bn-convida-fabulacoes-algoritmicas-processos-cri... @lianabrazil @superuber @bibliotecanacional.br @matteo_moriconi
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3 months ago

Parallels in Cinema 🎬📽️

#cinema #cinematicvideo #cinematography

#cinematok #movietok #movielover

#movielovers #CinemaLovers #cinemalover

#movie #movies#cinematic

#targetaudience #cinephiles #shows #tvshows

#edit #cinematok #cinemaenthusiast

#cinemabuff #foryou
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3 months ago

Computerized Shakespeare in "The Incredible Machine," sponsored by Bell Labs, 1968. ... See moreSee less

3 months ago

RIPTIDE (1934)
🎬
#hallowencostume ideas
👁️
#precodehollywood #filmtok #normashearer #gownsbyadrian
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3 months ago

Yoshinao satoh - paper ... See moreSee less

4 months ago

#manifesto by Brad Necyk "The artist is the distant early warning system of culture," McLuhan once wrote-decades before algorithms dreamed. Today, as AI reshapes the fabric of reality, the artist listens at the edge. We are not here to tame the machine, but to feel it, question it, and speak the unspeakable truths it stirs. While others build for speed, profit, or control, the artist moves slowly-tuning into the tremors beneath. We are the radar, the mirror, the mythmakers of a future not yet born. This is not just about art. It's about seeing. Sensing. And daring to say: Here is what's coming. #awe #ai #tech #poetry ... See moreSee less

4 months ago

The most carioca movie of Alfred Hitchcock isn't The Man Who Knew Too Much, but Notorious-after all, what could be more Rio than an Englishwoman entangled in samba, spies, and the blurred line between romance and conspiracy

In the 1940s, Rio de Janeiro appeared in Notorious (1946), directed by Alfred Hitchcock. The film is set in Brazil and stars Cary Grant and Ingrid Bergman.

Despite the beautiful images of Rio, the movie was actually shot in the United States. Hitchcock preferred working in a studio, so he sent William Dorfman, the second-unit director, to Rio to capture exterior shots. These images were later superimposed onto scenes with the actors.

The film features stunning views of Copacabana, Cinelândia, Glória, Sugarloaf Mountain, Guanabara Bay, and the Theatro Municipal - a faithful portrayal of the city at the time, free of stereotypes.

Notorious is a classic Hitchcock thriller. The plot follows Alicia (Bergman), the daughter of a Nazi spy who, in an attempt to redeem her family's name, is recruited by the U.S. government to infiltrate a group of ex-Nazis living in Brazil after World War II.

The movie was nominated for two Oscars - Best Supporting Actor (Claude Rains) and Best Original Screenplay (Ben Hecht) - and also competed for the Palme d'Or at the very first Cannes Film Festival.

One fun fact: Hitchcock cleverly bypassed the strict Hays Code, which banned kisses lasting more than three seconds. In a famous scene, Cary Grant and Ingrid Bergman kiss for more than two minutes, breaking the kiss every three seconds to get around the rule. #movies #film #cinema #classicmovies #1940s #riodejaneiro #carioca #copacabana #hollywood #hitchcock #funfacts #vintage
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Exhibition - I Want to Be a Machine

by AI. W4rhol

Define VFXRio Lunapark Metaverse Experience: From a comic book page to Virtual Reality, a metaverse designed by Matteo Moriconi. This essay introduces the ideas and semiotics behind this virtual world. Moriconi calls on influences from Warhol to Roy Lichtenstein, from science fiction writer Stanislaw Lem to sci-fi film Inception, from Giorgio Vasari to Jean-Paul Sartre to explore the invention, the concept, behind his new metaverse, which is populated with artworks and structures that he created through the AI platform, Midjourney.
Exhibition - I want to be a machine - A.I. W4rhol

VFXRIO LIVE

"We are called to be the architects of the future, not its victims."

Buckminster Fuller

This three-part essay will take a look at the history of metaverses. Part One examines metaverses in the history of art and thought.Part Two looks at how popular culture pulled audiences from outside the entertainment box to deep inside it, as well as how and why science-particularly virtual reality (VR) and artificial intelligence (AI). Part 3 looks at humanizing avatars, virtual versions of ourselves.

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